Endless Universe by Psyfactor

Psyfactor

Endless Universe

9 tracks

Running time: 1:16:28
Released: 03/2006

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  01   Eyes Reflecting Universe - 7:28
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  02   Walk on the mily way - 9:20
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  03   Synergy - 8:22
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  04   Freefalling upwards - 8:18
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  05   Early mornings - 10:04
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  06   Useless plantes - 8:24
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  07   Molecular design - 9:25
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  08   Venus seven - 6:45
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  09   Steps Leaving (Dedicated To Zolod, R.I.P.) - 8:22
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More Info

Style

Pure, spacey electronica with a chilled psytrance aesthetic. The Psyfactor sound is one of layered synths with plenty of rippling arps and repeated motifs, smooth pads constantly unfolding below. The pace varies across Endless Universe from beatless ambience where the sound twinkles, lustrous and drifting, to some quite upbeat danceable pieces. The mix is quite rich with some attractive interludes and wind-downs at the end of a number of tracks. Despite the almost complete absence of any organic sound sources, Psyfactor still maintains a human feel, especially during the low-key regions where rhythms and arpeggios fragment into dreamy lightness.

Mood

The squeaky clean sound aptly suggests the space connection that Psyfactor is after here - high quality effects maintaining and enhancing the imagery. There is a clear European heritage to the sound here though reflecting the artist's roots. The mood progresses from floatational expanses, breathing, glittering through pulsing basslines and cycling patterns where a restless business develops and the tempo lifts considerably. The trance elements gather around the central part of the CD - at times energetic and mechanical. Useless Planets, on the other hand, is a blissful trip on lush pads and a restful groove. The album becomes increasingly airborne toward the end where the dynamic and percussive aspects of the sound give way to a gentle melodic ambience.

( 1 ) Enchanted loopy loops hang in the periphery, stretching effortlessly through the bars without concern for time. Could be a good indication of why people refer to this genre as ‘spacey’. In the interim a fair share of swooshy action and a lot of introspection, that is about the only thing that can be gathered from Eyes Reflecting Universe and not a whole lot more. Despite the minimal approach to the production -which at this point is going to be making or breaking this CD for you- unfolds calmly & completely beatless. *

( 2 ) The second chapter conveys a dimming IDM appearance with really familiar pads and a sputtering excuse for a beat that calls out Aes Dana at times. Here we sink with the interplay of two or three recurrent elements arming a melodic chain that knots through, while the underbelly adds up with a generous amount of bass. Yes, it is simple and at this point the Walk on the Milky Way could use a few interesting turns to surprise us. But when things are this calm, I can’t help but thinking of it as great music to carry out personal endeavors: writing a paper, cranking out Photoshop, passing out for a nap… either way. *

( 3 ) In Synergy any peaceful attempts we might be having of dozing out are abruptly interrupted by a scrumptious undertones in the form of breaks and tuneful pads, with long winded synths in the vein of old-schooler Humate. The synergy is then, a convection of the frequency ranges in one sonic doze. So, the beat definitely a good addition to spice things up.*

( 4 ) Hard to pin down a specific genre to define Freefalling Upwards which in essence carries a bit of that melodic strand we would expect from Aphex Twin, circa his Selected Ambient works volume one. The beat once again gives it some movement but throughout eight minutes, it turns a bit droning without much change. It is nevertheless strangely touching.

( 5 ) We are close to the sunrise and the waves of light, progressively give life to an otherwise dark and drab existence… And so it’s Early Morning and the beginning -like most tunes- instantly grabs me but the attention does not last long on this one. The tune could have been a great homage to Sasha’s Airdrawndagger but we are nowhere near it. It’s very emotional and I get it, in a lump-of-cheese-stuck-in-my-throat kind of way and no gulp of wine is big enough to sink it in.

( 6 ) Underwater comes with drops of squeky-screetchy drops, gently gliding down as the pads do their sweet love affair to the toned down rhythm. It is nothing overly original and is not surprising if you pair it up with the rest of the tunes here. The fact the album is already deluged with external influences does not lend much to originality, but I can’t help liking what I hear. Can’t help wondering how a little more work and interaction would have made something memorable either.

( 7 ) The idea of calling a track Molecular Design might imply a level of detail to entail such name, it could be the blip-ie pads or simply an abstract implication. The percussion present is another doze of familiar breaks and heart-aching lines that explode well by the end, as every element is conjured into place. *

( 8 ) Yet another doze of winded melodies and spacey padding that gives way to a beat that never leaves the initial break. Like is standard the output is pleasing by all means, leaving what seems to me like a carcass of something greater to eventually develop. By itself it does work and the melodic side shows proficiency, I don’t know if Venus Seven was meant to be much more.

( 9 ) The space ride ends in a special dedication to countrymen Zolod in his Steps Leaving, without making much fanfare. A sweet piece with intricate water-dropping samples passed through a filter as if the particles had been pixilated. There is a seed for magnificence here in the sentimentality that develops in timely fashion.